Cut. Fusion. Color. One cinematic language.

I am a Director of Photography,Colorist and Editor dedicated to visual storytelling that prioritizes pacing, clarity, and emotional resonance. From capturing the initial image through the lens to the final color grade in DaVinci Resolve, every creative decision serves the narrative on screen.

WATCH SHOWREEL

COLOR GRADING / FINAL CORRECTION

Every frame gets its final feeling.

I use color to guide attention, preserve texture, and make the emotional temperature of every scene feel intentional.

AFTER / FINAL

CORRECTION

EDIT PAGE

A timeline is a story in motion.

I build the emotional logic of a sequence in the timeline, then shape every layer around the cut—so pacing, performance, sound, and visual detail all pull in the same direction.

EDIT PAGE • RHYTHM • LAYERS

01 / TIMELINE EDIT

Finding the beat, protecting the performance, and shaping a sequence one precise cut at a time.

02 / COMPOSITING

From precise clean green screens to perfect visual compositing. Every element is designed to support the story, not just beautify the shot.

FUSION / KEYING

Clean keys. Natural composites.

I key greenscreen footage in Fusion with attention to edge detail, spill, light, and motion—so every composite feels like it belonged in the edit from the start.

AFTER KEYING

BEFORE KEYING

LET’S MAKE THE FRAME SING

Have a story worth shaping?

DAVINCI RESOLVE • EDIT • FUSION • COLOR